Melbourne’s Diploid fuse elements of screamo, black metal, noise rock, and powerviolence to create caustic new forms of sonic violence. Their experimental approach sears the psyche with bursts of swirling blackened noise, crackling feedback, and distorted screams. Heavy stuff!

RECEIPT
2021-01-25

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noisy chaotic math-core-rock with two drummers . Ffo lightning bolt , botch

RECEIPT
2017-08-22

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Impossible Orbits is Dephosphorus’ third album and savage beast at that. While clocking in at only twenty-five-minutes, the tracks are packed without feeling bloated. It’s some great grind, and something that’s not as concerned with blasting as hard as possible. Oh, they’re put you through a garbage disposal at times, but at others they’ll constrict your veins and be content with having you by the throat. This is next level grind.

RECEIPT
2018-11-29

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Emo/Screamo from A Coruña, Galicia at its best. This split between Desidia and La Ciencia is just stunning. FFO: Sed Non Satiata and screamo in general.

RECEIPT
2019-02-20

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Raging in-your-face hardcore-punk, grind and power violence - from the streets to the streets for everyone who?s into YOUTH ATTACK, SLAP A HAM or 625 THRASH bands.

RECEIPT
2020-09-29

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Debut record from this new band from Bremen, Germany. This is powerful melodic driven emo-violence with 2 vocalists. Loud - desperate - beautiful. For Fans of Bands like ANGSTZUSTAND and the old mid 90ties north german screamo bands!

BAND INFO
delos

RECEIPT
2021-01-25

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A new offering, and vinyl debut, from Richmond's Decades/Failures. Darkwave, coldwave, post-punk... Whatever you call it, it's eight songs of raw and urgent loner pulse. A suite of songs that followed quickly on the heels of this year's previous cassette releases; the lauded "002" full length and "February 14th" single. "GOODBY3" finds Decades/Failures restlessly evolving beyond the claustrophobic dark-synth frameworks of previous releases, creating a more minimal, airy yet tense atmosphere. The sonic palette has expanded too, the variety of synth sounds are dazzling dark jewels, and a strident guitar cuts through much of the album, with dour nods to Wire and early Cure. This is in part due to the addition of new member Alexis Ivy, whom Decades/Failures' mainstay Adam happened upon while searching out ancient electronic albums in thrift stores. And though it is said there is strength in numbers, the feeling of utter dejection and defeat that pervades this album will soak deep into the bones of listeners. Just listen to the reverb-cloaked whispers amidst the panicked rhythms of theses songs and know that all is not well. And it never will be...

RECEIPT
2017-08-04

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Deathgrave is a new project from Amber Asylum bassist Fern and Greg Wilkinson, the master sound engineer behind Oakland's Earhammer Studios and bassist in Brainoil (ex-Graves At Sea, ex-Laudanum) who's stepped away form his recent doom dealings to spit out some truly virulent grind. The tone alone will knock you on your ass, and coupled with Augurs' nasty, sludge-encrusted black grind, this split might just be one of 2015's best underground gems.

RECEIPT
2016-10-22

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Originally a limited release by Seattle’s Rome Plow records, this re-release of Deadsure’s final lp comes on hefty white vinyl, with new cover art

RECEIPT
2013-03-11

Abstracter is a blackened sludge-doom band with crust influences hailing from Oakland CA, founded in 2010 by Robin Kahn and Mattia Alagna with the intent of creating the darkest, bleakest, and most punishing music they could come up with. Influenced by legendary bands like Swans, Amebix, Godflesh, Corrupted, His Hero Is Gone, and Blut Aus Nord. Abstracter has shared a stage with bands like Bell Witch, Mass Grave, Noothgrush, Buried At Sea, Unearthly Trance, Acephalix, Sleep, Graves At Sea and many more, presenting the world with their own brand of apocalyptic, hopeless and darkness-fueled music driven by crushing, grim, and dissonant guitar work, apocalyptic themes and lyrical content, and absolutely blood-freezing and plague-ridden atmospheres. Dark Circles is a three piece band from Montreal, Canada who formed in early 2013. Dark Circles play a dark, metallic, and crust tinged style of hardcore. Musically, Dark Circles can be loosely compared to bands such as Hexis, Svffr, Holy, and other-like minded bands. On their side of the split, Dark Circles offer up four tracks of brutal as fuck sounding blackened/crust tinged modern hardcore.

RECEIPT
2016-10-22

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3 last songs from those belgium screamo heros with their mix between heavy doublebass driven darkness and chaotic always screamed hardcore. rest in peace. and also 3 new smasher from the emo violence gangster mob danse macabre from the same session as the split with her breath on glass!

RWP025
more information

BAND INFO
danse macabre
am i dead yet

RECEIPT
2007-01-30

The new LP from Damages, features 10 emotionally charged songs. Chiefly influenced by 90's hardcore like Navio Forge and Shotmaker, Damages expand their sound to include influences like Unwound, The Jesus Lizard, and Killing Joke to create their own take on hardcore outside of the sonic archetypes. Sharp, abrasive guitar lines, and charging rhythms form the soundtrack to vocals about regret, inner frustration and critical self-examination.

RECEIPT
2013-03-11

Crippled Fox is a Thrashcore, fastpunk band from Budapest, Hungary formed in 2018.

RECEIPT
2021-01-25

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Punk band with members of Adorno, from New York City. Many influences come from new wave, post punk and alternative rock.

RECEIPT
2016-10-22

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Although Crevasse could be described as a punk band, and V0NT as an electronic act, samples, noise, and aggressive vocals can be heard on both sides of this record, making it a coherent whol

RECEIPT
2021-01-25

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"After arising from the ashes of the post-metal heavyweight Omega Massif in 2014, Cranial are now about to release their first longplayer „Dark Towers, Bright Lights“ that combines 45 minutes of thick and heavy sludge and doom. When the four members of Omega Massif split up, their musical future was vague but soon Phantom Winter, Blacksmoker and lastly Cranial came to life. For the latter, Omega Massif‘s Michael Melchers (guitar) gathered Julian Weidhaus (bass and vocals), Cornelius Merlin (drums) and Sebastian Kröckel (guitar and vocals) to work on the fi rst material which was later recorded by Tobias Anderko in his Blank Disc Studio. The two songs were mixed and mastered in the Tonmeisterei in Oldenburg and later released as the band‘s first physical release. The „Dead Ends“ EP came out in the end of 2015 via Moment of Collapse Records on CD and tape, while the vinyl version‘s appearance was enhanced with a screenprint on the B-side, a printed innersleeve and an inside out cover with a die-cut logo. The EP was highly praised by the international press which enabled the band to play the Droneburg-Festival among several other festivals and shows. In the summer of 2016, Cranial then booked the Tonmeisterei for a week to record the EP‘s successor „Dark Towers, Bright Lights“ with Role Wiegener. Similar to the „Dead Ends“ EP the four songs on „Dark Towers / Bright Lights“ are gloomy, heavy and abundant with a threatening atmosphere. When there is a leitmotif on Cranial‘s latest release, then it is a muddy and bloody plow that draws relentlessly through everything that gets in its way! This beast of an album leads the listener through an almost cinematic dramaturgy by stacking soundscape on soundscape. In the face of these sonic monliths, the tension becomes almost unbearable. Only then Cranial crush them to ruins just to repeat the procedure. Again and again with no time for relaxation. With that „Dark Towers / Bright Lights“ is highly recommendable for fans of Neurosis, Isis, Cult of Luna and the likes."

RECEIPT
2017-03-28

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„... it’s in the metallic emotional vein with screamed vocals, which often have a real desperate feeling to it. It’s a little bit similar to some of the Per Koro bands, but concrete is far away from a sound alike. What cause my surprise is a breakdown after the second song, where they switch to five minutes or so of mellow classical music played with a stand up bass, piano and violi. It’s a big contrast, but it fits in just perfect...“

RECEIPT
2020-05-05

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Total high-energy, fast Tokyo thrash with rockin hooks, anthemic choruses and high-speed to make you start a one-person circle-pit in your room the minute you drop the needle! Fans of both classic 1980s Japanese hardcore and more recent iterations will fucking love COMMUNICATES. Button the collar of your flannel, chug your beer and get ready to fucking circle-pit with your sisters and brothers! We are in this together, and COMMUNICATES provides the high-speed soundtrack! Limited to 500 copies.

RECEIPT
2019-02-20

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one new/exclusive song by each band, 2 color screenprinted covers, obi-strip with band names and title, handstamped center labels, b/w inlay with lyrics and liner notes. includes a download code

RECEIPT
2016-09-29

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A square 7" split from hardcore emo punks Coma Regalia and super fast skramz-y Gas Up Yr Hearse. Square? SQUARE. This is not a lathe or any other type of record. It is a standard VINYL record cut in the shape of a square. The price of this record correlates to the cost of the eccentric shape of the records.

RECEIPT
2014-03-13

Bloomington's Closet Burner return with a full length of queer-positive, society bullshit negative hardcore. The sound is rooted in classic fast hardcore riffs, but not afraid to drop a dirge or a powerviolent blast in there. Lyrics are angry, to the point, and no holds barred, representing a refreshing return to actual anger and resistance in hardcore. Members share time in Rat Storm as well.

RECEIPT
2017-02-01

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NEW SPLIT FROM CHIVÀLA AND SUIRAMI! Italian Post Rock Influenced Screamo/Post Hardcore act Chivàla unite forces with their Italian comrades Emotive Post Hardcore band Suirami in this brand new split!

RECEIPT
2020-05-05

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This 4 nice guys from New Jersey bring you 10 songs and play fucking awesome Power Violence with Grind Core influence. Recorded early this year and mastered by Dan Randall (Agoraphobic Nosebleed).

RECEIPT
2019-02-20

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This is the final record from the Insect Warfare-influenced, vicious Florida grindcore outfit Cellgraft. After their final show on September 1st at the Brass Mug in Tampa, Florida they're calling it quits. They've generously left this unrelenting jagged shard of Grindcore as their final word. Their records have been tremendous, truly doing the grind scene proud, and it's really a shame that they've split - especially considering they deserve a ton of attention for their hard work and dedication to face shredding Grindcore over their short 3 year existence.Self-titled and raw as you could ask for, this record is as short as any GridLink release and approaching their level of might and ferocity, while sidestepping technicality and barreling head-long into darkened, brutal speed. Outside of the opening track "False Sequence of Value" there is only one other track of the 17 here that approaches one minute in length. The opener is also the slowest you'll ingest too, at least for the first minute as it clobbers you with a maniacal set of distorted groves.

RECEIPT
2019-03-22

dual scream / growl grind attack with a lot of powerviolent elements to it

RECEIPT
2018-06-12

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"From the hot-boxed catacombs of mathcore-meets-stoner-metal, comes the heaviest 3-way split this year from Missouri's Canyons and Foreign Theaters, and the Bay Area's Tigon. Sharing influences that range from Coalesce and Kylesa to Black Sabbath and The Melvins, these three ""math-sludge"" virtuosos deliver a formidable testament to how grimey, raw, and technical the recesses of hardcore can go. Although all three bands wrote and recorded the record independently of each other, ""Can't Have Nothin' Nice"" shares a common theme of the flaws of the human-condition, and calls for a serious self-evaluation through rigorous (and often ruthless) introspection. For fans of Coalesce, Engineer, The Jesus Lizard, Botch, and brutality. "

RECEIPT
2014-08-24

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… Canyons play a loud, volatile, and heavy style of post hardcore with a great noise rock vibe to their sound. Creeper is a four piece band from Toronto, On who formed in 2009. Creeper play a similar style of music, but take a bit of a different approach, combining crust and metallic hardcore influences to their sound. Musically, Canyons call to mind bands that include Bleeding Kansas, Engineer, and Kiss It Goodbye, but add a unique modern twist that keeps the band sounding original and fresh. On their side of the split, Canyons offer up six songs of dirty, scuzzy, sludgey noise rock tinged post hardcore. On the second side of the split, Creeper offer up five songs of crust tinged/metallic hardcore with a great noise rock current that calls to mind bands like No Omega and Oathbreaker if those bands smoked weed and listened to a lot of Botch. Overall, this is a phenomenal album and both bands offer up top notch material for this split. Seriously, I can't get enough of this album. Highly recommended! Enjoy! - from manic compression blog

RECEIPT
2014-08-24

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both bands are heavily influenced by the likes of Shotmaker, Shellac and The Red Scare etc

RECEIPT
2014-07-09

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Breag Naofa bring a crushing sophomore LP. think NORTHLESS, PRIMITIVE MAN, et al with nods to hardcore and post black metal/post metal. crushing from start to finish

RECEIPT
2018-11-29

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this is some very fucking promising tech-grindcore.talking about majorly intense and frantic grind with wildly chaotic drumming that barely seems to follow the same beat as the guitars, which are ultra fast and a little noisy, but also super detuned for added heaviness. Also in place are layered screaming/growling female vocals (some of the best I've ever heard), crazy technical riffs with plenty of blasting speeds, and lots of weird chord phrasings and rhythmic patterns that really fuck with the structures and make for an odd listen. you ve been warned.

RWP020
more information

BAND INFO
bolz'n

RECEIPT
2006-08-05